Journalism

It’s time you made some enemies, George

Dear George Osborne, I thought it worth passing along some advice about your new job. I’ve never edited a news-paper, but I’ve been in the business for 32 years and I’ve seen a fair few come and go. I’ve also worked for the Evening Standard in various capacities. Indeed, my first job in journalism was doing shift work on Londoner’s Diary. That’s not a bad place to start on Fleet Street (your predecessor did) and you could do worse than sit at the desk for a few weeks. Liz Smith, the veteran American newspaper columnist, describes gossip as ‘news wearing a red dress and running ahead of the pack’ and

Truth is stranger than satire

I think we’re all agreed about Donald Trump — by which I mean all of us who read the literary novel, buy hardbacks and take pleasure in good writing. The novel as a form is interested in different points of view; is protean and humanly various; listens to different voices patiently; does not shout down. As Auden said, the novelist ‘in his own weak person, if he can, /Must suffer dully all the wrongs of Man.’ Donald Trump is not much like that. He shouts down; he evidently does not see much in other people to recommend them, other than their opportunity to proffer sycophancy; and the range of his

Edward Enninful’s first act should be to purge British Vogue of Sloaney sloths

As far as I am concerned, British Vogue under its outgoing editor was complacent, borderline racist and lacked taste, therefore the benchmark for what constituted an improvement was heartbreakingly low. Then on Monday, Condé Nast announced that Edward Enninful would be taking the helm. This is probably the closest the UK will get to its Obama moment – an occasion where a mentally challenged leader is replaced by a black man with talent, charm and purpose – so it is only right that we all take a moment to consider what it means. The deluge of adulation Enninful’s appointment provoked is usually reserved for posthumous commentary. Naomi Campbell instagrammed ‘God is the greatest!! I love you ❤❤😍😍❤❤😘😘🙏🏾… #TODAY

An eye for sensationalism

According to Private Eye, executives at the Daily Mail were alarmed by the impending publication of Adrian Addison’s new history of the paper. They expected an onslaught. So their hearts must have sunk when they saw the cover of Mail Men. Stephen Fry, who may hate the Mail more than anyone alive, pronounces it ‘a damned good read’; and Polly Toynbee, whose loathing is scarcely less vehement, praises it as a ‘well-informed, diamond-shaped analysis’ of the paper that ‘dominates England’s political culture’. Possibly neither of these sages has read the book in its entirety. It isn’t the hatchet job that Mail executives feared and its enemies wanted. Admittedly, as a

Kill the DJ

Don Juan in Soho rehashes an old Spanish yarn about a sexual glutton ruined by his appetite. Setting the story in modern London puts a strain on today’s play-goer, who tends to regard excessive promiscuity as a disease rather than a glamorous adventure. And the central character, a vulgar aristocrat named DJ who grades everyone on a scale of ‘fuckability’, contravenes the sentimental egalitarianism of our current sexual code. Writer Patrick Marber offers us a version of London where the social structure of the Regency still endures. Educated Englishmen are the only fully evolved human beings. Beneath them swarms an amusing underclass of thick, greedy motormouths from whom the Englishman

Pressing back

  Washington, DC I hate to admit it, but I think I’m falling in love with Sean Spicer. No doubt Donald Trump’s stocky, gum-chewing, sartorially challenged press secretary will strike many readers as an unlikely object of passion. But it’s hard not to get red-hot for a man capable of inspiring so much outrage among the most boring, self-important people in America. As press secretary, Spicer’s only real job is to run the President’s daily press briefing, one of those bizarre, quasi-official American institutions — like the State of the Union address or the Easter Egg Roll on the White House lawn — whose utility no one ever seems to

Descent into hell

In my work as a reviewer, a small, steady proportion of all the books publishers send me concern the Holocaust. With middle age has come a curious foreshortening of my perspective on modern history so that, paradoxically, the Nazis’ inhumanity has begun to seem less distant in time and, therefore, more horrible still. Fortunately I can reassure myself that, objectively, it happened long ago and that even the atrocities of eastern Europe and Rwanda are now a couple of decades safely in the past. Such consolations vanish when confronted by The Raqqa Diaries, which is shockingly of the present. It is a terrible reminder that we are unwise to impute

The Spectator’s Notes | 2 February 2017

As he left the editorship of The Spectator in March 1984, Alexander Chancellor wrote in this space: ‘When I joined the paper as editor in 1975, people were in the habit of asking me what my “policy” was going to be… How desperately uneasy this question made me. If there was a lavatory in the vicinity, I would lock myself inside it. I was sure I ought to have a “policy”… but I most certainly hadn’t got one.’ As his assistant editor, I witnessed the dismay on the faces of proprietors, advertisers and various big shots at Alexander’s answers to this sort of question. He would say, ‘Well, we should

Alexandra Shulman’s reign at Vogue will be defined by mediocrity, idiocy and flip-flops

The outpouring of love following Alexandra Shulman’s departure from Vogue was truly touching: she was described as ‘unpretentious’ and ‘very British’ (code for overweight and posh) as the UK fashion industry mourned the loss of this affable leader. Though I’m sure she was a very nice lady, there is something quite perverse about celebrating a fashion editor who could barely find time to comb her hair and was too busy glugging wine to look in the mirror before leaving the house. As the UK’s number one representative for fashion it was her responsibility to look presentable and deliver interesting work and she failed to do either. The correct response to mark

Piers Morgan is a shameless brown-noser. But maybe he’s on the right track

A few weeks ago I was having an argument with Piers Morgan on Twitter. Oh God, is that really how I’m going to start this column? What have I become? I was, though, and it started because he was brown-nosing Donald Trump. We’re talking a real nasal frottage here. I expressed derision, and he expressed fury at my derision, and on it went. At one point he called me ‘tough guy’. It was all very manly. Although it wasn’t a one-off, because he’s been at it — I mean the brown-nosing — ever since, including in this very magazine. A column here, a TV appearance there. Last weekend, he was

Dumb and dumber | 5 January 2017

Katie Hopkins did something dreadful this week, which is not unusual, because she craves such things. She retweeted praise — also not unusual, for she is narcissistic for a masochist — from a Twitter account called AntiJuden SS. The page even featured a swastika, should AntiJuden SS not have been clear indication enough. For Hopkins, however, neo-Nazi praise is a dog making love to your ankle. It would repel most people, but for her it still counts. Fake outrage begat fake outrage and Hopkins de-tweeted the retweet, and apologised: ‘My New Year’s resolution is to show contrition.’ To show contrition, not to be contrite; that is quite precise for Hopkins.

How can the BBC be allowed to break their own editorial standards?

I recently had the misfortune of featuring in a BBC documentary that repeatedly breached the corporation’s own editorial standards. I happened to be at the gym when word reached me that BBC Inside Out London wanted to interview me the following day. It was late in the evening, and I was told that the documentary was looking at game shooting and game meat, and the growing popularity of both in London. Not an anti-shooting piece at all, I was assured. Arriving at Regent’s Park for the interview, the team from the Beeb were decidedly furtive. There was much fiddling with phones and muttered conversations between interviewer and producer, in which

Letters | 1 September 2016

Against Boris Sir: In discussing my attitude to Boris (‘The Boris-bashers should be ashamed’, 27 August), Mary Wakefield is too kind — to Boris. She claims that I am agin him because he has no plan and no philosophy. Not so: my criticisms are nearer those of the Oxford contemporaries whom she cites and who described Boris as a ‘sociopath’. He is a charismatic narcissist in a long tradition stretching back to Alcibiades. Such characters have no moral, intellectual or political integrity, but have a sublime confidence in their ability to charm themselves out of every embarrassment. Mary goes on to claim that David Cameron had no plan either, and surrounded himself

Distant voices

One of the weirdest responses when someone close to you dies is the gradual realisation that now at last you know them fully. They become to you complete, rounded, fully themselves, in a way that just does not seem possible while they are still alive. It’s so frustrating. Just when you’re at last ready and able to talk to them in the way you’ve always wanted, in full knowledge of who they are, seeing clearly every aspect of their person, they are no longer present. Radio 4 has come up with a partial antidote to this aspect of death, loss, grief, and so too of life and living, with its

Fit to print

For weeks, Westminster has been full of rumours about the private life of a certain cabinet member. It was said he had started to visit a dominatrix in Earl’s Court but ended up falling in love with her and taking her to official functions. Like a Westminster remake of the film Pretty Woman, in fact, but with the Culture Secretary, John Whitting-dale, playing the part of Richard Gere. There was much comment in Parliament about this, and jokes about what London is coming to if an MP has to travel all the way to Earl’s Court for such services, when they used to be available a stone’s throw away from

Why I feel compelled to defend Boris

I got Boris Johnson into trouble once, without meaning to. The two of us had been driven hither and thither across Uganda by Unicef in the back of an expensive Mercedes 4×4 to gaze at the fatuous projects they had delivered for the benighted natives. We had been chosen for the trip because we were perceived, rightly, to be unconvinced by the efficacy of some western foreign aid programmes and even less convinced — in my case, at least — by the UN. Our chaperones were two humourless Scandinavian women who ferried us both from one remote village to the next: ‘Look, here we have built a women’s drop-in centre,’

Turkey’s assault on press freedom is the act of a dictatorship, not a democracy

When Vice News journalist Mohammed Ismael Rasool was detained by Turkish authorities last August, I wrote to a friend in Turkey to ask for his help. I remarked in passing on the worsening situation for press freedom in the country: ‘Yes, getting much worse,’ he replied. ‘At some stage they will come after us, too. Then we will need your help.’ This prediction of darker times ahead proved right much more quickly than any of us foresaw. On Friday, after months of arrests and detentions of prominent journalists, the country hit a new low: courts seized control of opposition newspaper Zaman, one of Turkey’s leading media outlets. Police fired teargas and

Two big hitters leave the crease

Two great men have just bowed out from their chosen trades and it is bloody sad. The New Zealand cricket captain Brendon McCullum and the journalist Hugh McIlvanney might not seem to have much in common but they both made the world a better, more joyful place. I sat up until the small hours a few of weeks back watching McCullum: it was his last Test, in Christchurch, against the old enemy from across the Tasman Sea, and his side had been put in to bat. McCullum has redefined what it means to be a batsman and for his farewell he wasn’t going to leave anything in the pavilion. He

Matthew Parris

Are we ready for virtual-reality news?

John Humphrys staggering around in a piece of ‘virtual reality’ headgear that looked like binoculars and made him feel sick was as attention-grabbing as radio can be. So I listened in last week as the intrepid Today presenter tried out infotech’s latest gimmick. The Oculus Rift began life on a crowdfunding website, heralded as an exciting new tool in virtual reality: a tool that computer-games boffins had long been trying to crack. Facebook bought it, and Rift should hit the market this month. I experienced a forerunner years ago when sampling for my newspaper a day in the life of a bus driver. At a driving school I sat behind

Mr Spock and I

For a show with a self-proclaimed ‘five-year mission’, Star Trek hasn’t done badly. Gene Roddenberry’s ‘Wagon train to the stars’ is celebrating its 50th anniversary, although, as Marcus Berkmann’s entertaining and irreverent history points out, things could have been very different. Roddenberry’s initial idea was for a troupe of disparate 19th-century adventurers to explore the undiscovered corners of the New World in a grand airborne dirigible. While the prospect of Leonard Nimoy arching an eyebrow in a flimsy, flying gondola is irresistible, it’s hard to imagine such a concept proving as enduring as Roddenberry’s eventual brainchild. Would Balloon Trek: The Next Inflation have carried its fanbase into the 21st century