Churchill

Fighting every inch of the way: the Italian Campaign of 1943

In Whitehall, visible to even the most short-sighted from the gates of Downing Street, stands an outsize statue of Lord Alanbrooke, the strategic adviser to Winston Churchill during the second world war. His job was to help the prime minister see the big picture and concentrate on the decisions that really mattered. This was no easy task. Churchill was both a tricky master and ‘tinkerman’, but Alanbrooke had Ulster blood and knew how to say no. One little village, San Pietro Infine, took more than a week and 1,500 American casualties to capture He also had a remarkable facility for explaining complex strategic problems in simple terms. There is good

Are Brits losing sympathy for Ukraine?

Britons were keen to punish Russia for invading Ukraine. A month into the war, more than half thought we hadn’t gone far enough. That was after the government had frozen the assets of Russia’s banks, banned the Russian airline Aeroflot from landing in Britain, and sanctioned Putin and his cabinet. Voters wanted more sanctions, even if it hurt the economy. Now, though, it seems the public isn’t so sure. Only a quarter of Britons think we should give Ukraine more support, according to a YouGov poll this month. We’ve given it tanks. Should we now send jets? Democratic governments often find it hard to keep up support for war, especially when it entails sacrifices. But history shows

Robert Harris on Boris Johnson, cancel culture and rehabilitating Chamberlain

Robert Harris has long been on a one-man crusade to reverse history’s negative verdict on the architect of appeasement. He argues that it was Neville Chamberlain’s duty to go the extra mile for peace and give Britain the moral authority to fight Hitler in the second world war. ‘There seems to be a general feeling that he couldn’t have done much else. He bought us precious time.’ Now the appearance of an acclaimed Anglo-German Netflix film Munich — The Edge of War, starring Jeremy Irons as Chamberlain, and based on Harris’s 2017 novel Munich, gives him the chance to bring his quixotic campaign to a mass audience. Born in 1957

Most-read 2021: The Netflix generation has lost its grip on history

We’re closing the year by republishing our ten most popular articles in 2021. Here’s number four: Zoe Strimpel writing in February about how popular portrayals of the past are being changed to fit the present.  The first thing you notice about Bridgerton, Netflix’s big winter blockbuster set in Regency England, is how bad it is: an expensive assemblage of clichés that smacks of the American’s-eye view of Britain’s aristocratic past. The dialogue is execrable, the ladies’ pouts infuriating. But bad things can be good, especially when it comes to sexy period romps. Bridgerton is no different. The story follows the elder children of the Bridgerton family as they look for love

Can the fiasco of the Dieppe Raid really be excused?

In my mother’s final days we had a long conversation about the second world war. I asked if she’d ever thought we might lose. ‘No,’ she snapped. ‘I knew we were too clever for them.’ The chief of the imperial general staff, Sir Alan Brooke, had been less sanguine. On 31 March 1942 he confided to his diary: ‘During the last fortnight I have had, for the first time since the war started, a growing conviction that we are going to lose.’ His concern, besides the army not fighting very well — witness Hong Kong and Singapore — was that Britain’s new allies, the Soviet Union and the United States,

Churchill as villain – but is this a character assassination too far?

The veteran journalist Geoffrey Wheatcroft claims in his prologue to Churchill’s Shadow that: ‘This is not a hostile account, or not by intention, nor consciously “revisionist”, or contrarian,’ before launching into a long book that is virtually uninterrupted in its hostility to Winston Churchill, his memory and especially anyone who has had the temerity to admire Churchill or learn lessons from his life and career. Churchill revisionism is hardly new. The very first book I reviewed was Clive Ponting’s revisionist biography of 1994, since when there have been scholarly books by John Charmley, a predictably vicious one by David Irving (whose hero’s career was somewhat curtailed by Churchill) and a

The campus Churchill delusion

Was Winston Churchill a racist? For students like me who attended Churchill College, Cambridge, it’s a question which barely even merits an answer: of course he wasn’t. But some Cambridge academics appear to take a different approach when it comes to assessing the record of Britain’s most famous prime minister. Churchill College recently announced a ‘year-long programme’ into Sir Winston’s allegedly ‘backward’ conceptions of empire and race. As part of this review, the college has held events such as ‘The Racial Consequences of Mr Churchill’. Many students are simply bemused. Academic debate is, of course, no bad thing. It is something to be encouraged at any university. But a problem arises

The Netflix generation has lost its grip on history

The first thing you notice about Bridgerton, Netflix’s big winter blockbuster set in Regency England, is how bad it is: an expensive assemblage of clichés that smacks of the American’s-eye view of Britain’s aristocratic past. The dialogue is execrable, the ladies’ pouts infuriating. But bad things can be good, especially when it comes to sexy period romps. Bridgerton is no different. The story follows the elder children of the Bridgerton family as they look for love in a utopian sprawl of courtly landscape and sociality. Based on Julia Quinn’s best-selling novel and adapted for Netflix by Shonda Rhimes (writer and producer of multi-season binge classic Gray’s Anatomy), the invitation to let

Why great speeches are made for stage and screen

Curious thing, writer’s block. If you believe it exists. Terry Pratchett didn’t. ‘There’s no such thing,’ he said. ‘It was invented by people in California who couldn’t write.’ He had a point. Writers write, period. But there is a syndrome in my house known as Not Starting Anything New Through Fear Of It Being Not Very Good. Less catchy than ‘writer’s block’, but arguably a more accurate description of the condition. My Covid-induced version of the above involved endlessly ‘honing’ an already completed play about my mother to devastatingly little effect and musing on the oldest creative question of all: is there a formula for writing success, and if so

Why face masks weren’t compulsory during WW2

Britain has been here before when it comes to furores about face masks. Exactly 80 years ago the same argument was raging, with the country split between those who wanted the wearing of gas masks to be made compulsory on pain of financial penalty, and those who maintained it should be an individual choice. Unlike today’s virus, the threat facing the country in the summer of 1940 was a destructive Nazi war machine that in a matter of months had torn through most of western Europe. Britain was next in Hitler’s sights and an aerial gas attack was what the government feared most. In 1938 Neville Chamberlain’s government, aided by

The portrait that Churchill couldn’t face

Winston Churchill was no Adonis but most of his portraitists did what they could to flatter him. However, when the British artist Graham Sutherland (1903–80) was commissioned to paint a full-length portrait of Churchill in 1954 for 1,000 guineas (about £27,000 today), paid by the House of Commons and the House of Lords, and to be presented in a lavish public ceremony, things did not go well. Sutherland was chosen not by Churchill but by members of the Houses of Parliament in honour of his 80th birthday. Churchill asked to be portrayed in his Knight of the Garter robes but the commissioners specified he be portrayed as he most commonly