Bbc

Blame the grown-ups for the safe-space tribe

A car driver ploughs into a bunch of people outside the Natural History Museum in London and lefties are furious mostly because the right-wing columnist Katie Hopkins thought it was another jihadi attack. For thinking this she is a racist bigot and consummately evil — despite the fact that I suspect most Londoners thought precisely the same as Hopkins when they heard the news. We are in the bizarre situation where horrible incidents not perpetrated by Muslims are gleefully welcomed by the lefties because they believe it adds grist to their idiotic mill: other people are capable of driving cars into pedestrians, you see, so it is racist to suggest

Playing it safe | 5 October 2017

BBC1’s latest Sunday-night drama The Last Post, about a British military base in Aden in 1965, feels like a programme on a mission: that mission being to avoid getting shouted at by either the Guardian or the Daily Mail. To this (possibly doomed) end, it goes about its business very gingerly, with an almost pathological devotion to balance, and a safety-first reliance on the trusty methods of the well-made play, where each scene makes a single discrete point and the characters are as carefully differentiated as the members of a boy band. The first episode opened with the base’s new captain landing at Aden airport with his wife. ‘It must

The BBC’s self-absorption has obscured Justin Welby’s real message

You have to try really hard to get any idea of what the Archbishop of Canterbury, Justin Welby actually said in his interview for the BBC Today programme, the one where he said the BBC had acted with less integrity than the Church of England or the Catholic church when it came to the abuse of children by Jimmy Savile. You may well have heard that part because it is what the BBC itself reported on its own news broadcasts and duly, every other news outlet followed its lead. And the reason you can’t put the remarks in context is that the interview itself hasn’t yet been broadcast – it’s

What the threat to Laura Kuenssberg says about the country we live in

For perfectly understandable reasons, neither she nor her employers want to talk about it, but the fact that Laura Kuenssberg of the BBC is covering the Labour Party conference in Brighton accompanied by a bodyguard is an outrage that has not been greeted with the anger and disgust it merits. Imagine, for a second, if you heard this story – first revealed by Charles Moore in The Spectator earlier this year – about a foreign country. Imagine a country where a journalist could not go about the basic task of reporting a political meeting without fear of physical attack. Would you consider that country to be a fully functioning democracy?

Watch: Paul Mason says Kim Jong-un has ‘done the world a favour’

Oh dear. With North Korea threatening to detonate a nuclear bomb in the Pacific Ocean, world leaders are left scratching their heads over what to do about the rogue state’s penchant for nuclear weapons. But has North Korea actually just done the world a favour by threatening to bomb Japan, South Korea and the US? That’s the claim Paul Mason tried to peddle on last night’s episode of Question Time. The journalist-turned-left-wing-revolutionary argued that Kim Jong-un has ‘done the world a favour’ by putting Donald Trump ‘on the back foot’ through his nuclear game plan: ‘In a way, Kim Jong-Un has done – only in this metaphorical way – the world

Seeing the light | 21 September 2017

‘You can’t lie… on radio,’ says Liza Tarbuck. The Radio 2 DJ was being interviewed for the network’s birthday portrait, celebrating 50 years since it morphed from the Light Programme into its present status as the UK’s best-loved radio station — with almost 15 million listeners each week. ‘The intimacy of radio dictates you can’t lie because people can hear it.’ She’s absolutely right. As she went on to explain, when you’re driving and it’s just the radio and you, no distraction, ‘You can hear things in my voice that I don’t even know I’m giving away.’ It’s what makes radio so testing for politicians, you can see right through

Loose ends

On Sunday night, Holliday Grainger was on two terrestrial channels at the same time playing a possibly smitten sidekick of a gruff but kindly detective with a beard. Even so, she needn’t worry too much about getting typecast. In BBC1’s Strike, she continued as the immaculately turned-out, London-dwelling Robin, who uses such traditional sleuthing methods as Google searches. On Channel 4, not only was she dressed in rags, with a spectacular facial scar and a weird hairdo, she was also living in an unnamed dystopian city, where her detective work relied on a handy capacity to read minds. This was the first and highly promising episode of Electric Dreams, which

Face time | 14 September 2017

The inimitably pukka voice of Jacob Rees-Mogg echoed through Radio 4 on Thursday morning. He was not, though, talking about nappies, nannies or even Brexit; his topic instead was death masks and specifically that made of his father William, the newspaper editor and vice-chairman of the BBC, who died in 2012. Not long after Rees-Mogg had passed from this life, his facial features were immortalised in wax and silicon rubber by Nick Reynolds, godson of Ronnie Biggs and son of Bruce Reynolds (whose names you may recall from the great train robbery of August 1963). In Death Masks: The Undying Face (produced by Helen Lee), Reynolds talked us through the

Sunday shows round-up: Blair says Britain can limit immigration without leaving the EU

Tony Blair – Britain can limit immigration without leaving the EU Former Prime Minister Tony Blair has been trying to find a way to reduce immigration to the UK without leaving the European Union. The Institute for Global Change, the organisation that Blair set up earlier this year, has published a report on this very topic. Outlining his proposals to Andrew Marr, Blair also called on sympathetic MPs to unite against Brexit in order to prevent ‘economic and political damage’: AM: A lot of people already this morning have said ‘It’s a little bit rich coming from you given how you opened the doors back in the 2000s to mass

The listening project

As Classic FM celebrated its quarter-century on Wednesday with not a recording but a live broadcast of a concert from Dumfries House in Scotland — Bach, Mendelssohn, Chopin and Liszt, and the première of a specially commissioned work by the Welsh composer Paul Mealor — Radio 3 has upped the ante by announcing an autumn schedule that promises to be ‘an antidote to today’s often frenzied world’. Its new programming ranges from a special opera season and a series of organ and choral music to ‘an immersive audio impression’ of what it feels like to hang vertically on the side of a mountain, wind whistling through the ears, feet teetering

Straight to hell

No, The State (Channel 4) wasn’t a recruiting manual for the Islamic State, though I did feel uneasy about it throughout the four episodes. The fundamental problem is this: if you’re going to make a watchable drama about bad people doing terrible things, you inevitably have to humanise them. And from there it’s just a short step to making them sympathetic. Peter Kosminsky’s drama followed four British Muslims to Syria to join IS. Shakira, a black convert with a nearly-ten-year-old son, wanted to apply her skills as a doctor; Ushna was a teenager seeking to be a ‘lioness for lions’; Ziyaad was an amiable lunk looking for adventure; and his

‘Smile, segue and shut up’

Three weeks before Classic FM launched, I was on the radio in Hong Kong, introducing hits by Rick Astley and Wet Wet Wet. I’d just turned 21, and was working as a presenter for British Forces Radio. A phone call came from London. ‘My name is Michael Bukht. I’m setting up a new radio station and have heard good things about you. We’d like you to present our afternoon show. By the way, do you know anything about classical music?’ Michael Bukht would not have fared well in today’s consensual media world, where respect is the watchword. He was a bit of a bully, capable of exploding at anyone promoting

Universal appeal | 24 August 2017

Yet another sign that we are living in very strange times: a pair of celebrities, their names made by TV, have switched over to radio for their next project. Not starring in their own series on BBC2 or Channel 4, but on a medium that could have become redundant yet is refusing to give way (the latest Rajar figures indicated that listening is on the up across all networks). Plenty of stars made by radio have gone on to household-name status on TV (Steve Coogan, David Mitchell, Chris Morris). But Eric Monkman and Bobby Seagull, who began trending on Twitter because of their appearances on BBC2’s University Challenge — Monkman,

Animal rights groups fail to rally outside of social media

Another attempt to bring animal rights activism off social media and into the real world has faltered. Nothing changes, does it? But before we move on past another small march in Westminster, it might be an idea to stop and take stock of the irregularities. There are lessons to be learned for politicians, for the media and for the BBC in particular. If you missed it, and you probably did, there was a march in Westminster this past weekend. There may have been more than one for all I know; small protests in London are not uncommon. But the march in question was led by the BBC’s own Chris Packham, with

Stick around for a Corbyn premiership? ‘I’d rather walk to Sudan,’ says Channel 4 star

A brief trawl of the Foreign Office’s travel advice for Brits thinking of paying a visit to Sudan will tell you that’s it’s not the best idea – with cholera, the threat of terrorism and clashes between government forces and rebel groups on the menu. What’s more, the British Embassy no longer registers UK nationals in Sudan so help in times of crisis may be limited. However, for Levison Wood, it sure sounds a lot better than living in the UK under a Corbyn government. In an interview with the Telegraph, the Channel 4 adventurer says that if Jeremy Corbyn becomes Prime Minister, he would leave the country and… walk to Sudan: ‘For

Big Auntie

It’s sneaky, the way in which the BBC, so much regarded as part of the family as to be nicknamed ‘Auntie’, has introduced the need to login (or register) whenever you want to listen to something on iPlayer. Maybe I’m doing something wrong because the alert message assures me I will be kept logged in, and that I should only have to login once. But even that is once too much. After all, until now, we’ve had the chance to listen again to whatever we fancy with very little fuss and almost instantly. That freedom feels very different if you have to rummage around in your memory for the password

Losing our religion

Sir James MacMillan’s European Requiem, performed at the Proms on Sunday, isn’t about Brexit. The composer had to make this clear in a Radio 3 interview just before the broadcast, because the BBC was just itching to cast the work — a melancholy score, despite its thunderous drumbeats — as a lament for us leaving the EU. That would have been neat, given that the second half of the concert consisted of Beethoven’s Ninth, whose ‘Ode to Joy’ has been clumsily appropriated by Brussels. Incidentally, some Remainers in the audience chattered through the symphony’s first three movements, impatient for their Big Tune. I don’t know if there were any ancient

1967 and all that

As you may have spotted, the BBC is marking the 50th anniversary of the decriminalisation of male homosexuality with an extended gay season. (And if you haven’t, I can only assume you’ve seen and heard no BBC trailers for months.) The centrepiece this week was Against the Law (BBC2, Wednesday), which dramatised the story of Peter Wildeblood, a Daily Mail journalist imprisoned for 18 months in 1954 for the possibly overlapping crimes of buggery and gross indecency. But — double entendre alert — Wildeblood didn’t take this lying down. After his release, he published a book making the case for legalisation. In the central role, Daniel Mays captured Wildeblood’s reluctant

The BBC sisterhood has made the ultimate sacrifice – and asked for a pay rise

The sisterhood is, apparently, ‘in full flow’ at the BBC. Since the publication last week of the salaries of its 96 highest paid presenters, discussion of the institution’s gender pay gap has filled air time and column inches. How can it be right that Clare Balding is paid less than Gary Lineker? Or that John Humphrys earns more than Sarah Montague? But if being paid less than their male colleagues wasn’t bad enough, female presenters must, it seems, also use their ‘strong and loud voices’ on ‘behalf of all’ to tackle the entrenched sexism endemic not just within the BBC but everywhere. In an open letter to the BBC’s Director

Steerpike

Shouldn’t Labour’s ‘gender pay audit’ begin at home?

This weekend, Jeremy Corbyn was full of beans during an appearance on the Andrew Marr show. As well as frank comments on immigration and student debt, the Labour leader found time to turn his ire on the BBC over the gender pay gap. Discussing the disclosure that two thirds of the corporation’s highest earners are men, Corbyn said the Beeb needs to ‘look very hard at itself’ – adding that a Labour government would insist on a pay audit of every organisation. Strong words indeed. But is Corbyn just repeating empty platitudes? This time last year, Corbyn made a similar pledge. In the Labour leadership contest, he announced that if in power, companies with more