The guardian

The Guardian thinks of itself as Britain’s fearless liberal conscience, trigger-sensitive to racist ‘dog whistles’ in the language and editorial judgements of everyone except itself. It takes a special interest in cartoons published by right-of-centre newspapers which are accused of bigotry.  When the Murdoch-owned Herald Sun ran a cartoon depicting Serena Williams throwing a tantrum, the Guardian reported that News Corp had ‘come under global condemnation for publishing a racist, sexist cartoon’, supplementing multiple news stories with several condemnatory op-eds. Other newspapers who have found their cartoons scrutinised for racial undertones by the Guardian include the Times, the New York Post, the Australian, the Boston Herald, and Charlie Hebdo.  So how exactly did Martin Rowson’s latest cartoon manage to slip past editors? Ostensibly a comment

It’s a tough time for struggling families across the country. Inflation, price increases, a cost-of-living crisis and taxes going up. But one place where belts are remaining decidedly un-tightened is the editor’s office at the Guardian, where champagne corks have been popping at the latest company accounts. For Katharine Viner– the editor-in-chief of the progressive periodical – has seen her pay rise by 42 per cent (or £150,000) to a whopping £509,000 in the year to April. It came after the newspaper’s parent company, Guardian Media Group (GMG), hailed its best results since 2008. Good news all round then surely? Most in the media would accept that if the Guardian had

It seems that taking gratuitous swipes at J.K. Rowling has become something of a competition for liberal broadsheets on both sides of the pond. First, the New York Times took a potshot at the Harry Potter creator for its new marketing campaign trumpeting ‘independent journalism.’ And now the Guardian – keen to prove that, it too, is achingly right on – has published a piece which implies that Rowling’s views on same-sex spaces are somehow more controversial than domestic abuse. Grim. The latest jibe at Britain’s greatest living writer came in a piece detailing the controversies around the production of the Fantastic Beasts film. Film critic Ryan Gilbey noted that ‘one of its stars, Johnny Depp’ left

Farewell then 2021 – what a year it’s been. Twelve months of Covid craziness brought with it ample opportunities to lampoon the great and the not-so-good in British public life, from narcissistic royals to inept Europhiles.  Below is a round-up of Steerpike’s most read articles from 2021, covering some of the year’s biggest moments such as the vaccine procurement wars and the death of Prince Philip to lighter episodes like Prince Harry’s thoughts on freedom of speech.  But while the dilettante Duke and Duchess of Sussex took both bronze and silver medals, gold could only go to the Guardian for its attempted self-immolation over how to cover transgender issues. Mr S

Roy Greenslade held a number of prominent positions in Fleet Street over the course of a long career. But he spent the largest part of it at the Guardian, where he berated other journalists for their writings. A similar stance was adopted by him from his position as professor of journalism at City, University of London, from where he lectured students on media ethics and gave evidence to the Leveson Inquiry. At the same time he became slightly notorious outside of Islington for his support of the IRA. Whenever Gerry Adams had something self-pitying or self–exculpating to say, Roy was there as his loyal mouthpiece. In 2000 this magazine ran