Roma

From pit-ponies to polo ponies: hoofprints on the British landscape

Horses have schlepped, hauled and galloped grooves into Britain, providing the muscle for transport, industry, agriculture and leisure and the inspiration for myth, art and literature. In The Bridleway, the environmentalist Tiffany Francis-Baker maps this busy-storied topography from the Uffington White Horse to ancient roads, canals, coaching inns, race courses, conservation projects and public art. She crosses the country to speak to horse-people and explores old bridleways. Some of the landscapes she visits are subsiding, as she puts it, ‘into the healing bosom of the earth’. Others are threatened with erasure, and so, ‘to keep these spaces full of memory, all we must do is tread the same paths, either

Why do we envy nomads but treat Travellers so badly?

Oh for the open road! Who doesn’t want to abandon the suffocating suburbs – waking to an alarm at the same time every single morning, hearing brown envelopes pushed through the front door, filling the dishwasher, paying that damned mortgage – and head out for endless sunsets falling over infinitely empty land? Nomadland, starring Frances McDormand as a woman who leaves her home behind after she loses her husband and her job and travels around the United States in a campervan, is predicted to win Oscar for Best Picture this weekend. The film, whose large cast mainly consists of real-life nomads, has led to a flush of appreciation and enthusiasm