X

Create an account to continue reading.

Registered readers have access to our blogs and a limited number of magazine articles
For unlimited access to The Spectator, subscribe below

Registered readers have access to our blogs and a limited number of magazine articles

Sign in to continue

Already have an account?

What's my subscriber number?

Subscribe now from £1 a week

Online

Unlimited access to The Spectator including the full archive from 1828

Print

Weekly delivery of the magazine

App

Phone & tablet edition of the magazine

Spectator Club

Subscriber-only offers, events and discounts
 
View subscription offers

Already a subscriber?

or

Subscribe now for unlimited access

ALL FROM JUST £1 A WEEK

View subscription offers

Thank you for creating your account – To update your details click here to manage your account

Thank you for creating your account – To update your details click here to manage your account

Thank you for creating an account – Your subscriber number was not recognised though. To link your subscription visit the My Account page

Thank you for creating your account – To update your details click here to manage your account

X

Login

Don't have an account? Sign up
X

Subscription expired

Your subscription has expired. Please go to My Account to renew it or view subscription offers.

X

Forgot Password

Please check your email

If the email address you entered is associated with a web account on our system, you will receive an email from us with instructions for resetting your password.

If you don't receive this email, please check your junk mail folder.

X

It's time to subscribe.

You've read all your free Spectator magazine articles for this month.

Subscribe now for unlimited access – from just £1 a week

You've read all your free Spectator magazine articles for this month.

Subscribe now for unlimited access

Online

Unlimited access to The Spectator including the full archive from 1828

Print

Weekly delivery of the magazine

App

Phone & tablet edition of the magazine

Spectator Club

Subscriber-only offers, events and discounts
X

Sign up

What's my subscriber number? Already have an account?

Thank you for creating your account – To update your details click here to manage your account

Thank you for creating your account – To update your details click here to manage your account

Thank you for creating an account – Your subscriber number was not recognised though. To link your subscription visit the My Account page

Thank you for creating your account – To update your details click here to manage your account

X

Your subscriber number is the 8 digit number printed above your name on the address sheet sent with your magazine each week.

Entering your subscriber number will enable full access to all magazine articles on the site.

If you cannot find your subscriber number then please contact us on customerhelp@subscriptions.co.uk or call 0330 333 0050.

You can create an account in the meantime and link your subscription at a later time. Simply visit the My Account page, enter your subscriber number in the relevant field and click 'submit changes'.

Please note: Previously subscribers used a 'WebID' to log into the website. Your subscriber number is not the same as the WebID. Please ensure you use the subscriber number when you link your subscription.

Coffee House

Copenhagen shooting: we debated free speech despite the gunfire – we will not surrender

14 February 2015

7:16 PM

14 February 2015

7:16 PM

I was invited to Lars Vilks* Committee in Copenhagen to present Passion for Freedom London Art Festival. The committee is organised annually, on the anniversary of Salman Rushdie’s fatwa. The meeting started with a short introduction from one of the organizers followed by François Zimeray, the French ambassador, commemorating Charlie Hebdo and discussing the challenges that we face when it comes to the threats to freedom of speech and democracy in our countries.

After a short introduction, Inna Shevchenko opened the panel and started to talk about Femen and her work. She also discussed her close friendship with Charb, the editor of Charlie Hebdo, and how they both stood strong exercising their right to freedom of expression. A few minutes into her speech we heard separate bangs.

[Alt-Text]


It sounded like crackers. Everyone was sitting and Inna was speaking as the bangs turned into a shower of bullets. It sounded like a machine gun. There was lots of shouting in Danish, the security shouted that Lars should evacuate, everyone started to run or hide. A few people remained sitting. I slid behind the stage to hide.

After the shooting subdued everyone started to come together. We decided to continue with the presentation. I presented Passion for Freedom’s work and we took a few questions from the audience. Everyone thanked us that we continued. We will not surrender; they cannot kill all of us.

Agnieszka Kolek is an organiser of the annual international festival ‘Passion for Freedom’

Lars Vilks, 67, is a Swedish cartoonish who has survived two attempts on his life after depicting Mohammed. The Lars Vilks Committee was set up to support him and organised the event, at which he was present. 

Subscribe to The Spectator today for a quality of argument not found in any other publication. Get more Spectator for less – just £12 for 12 issues.


Show comments
Close